The Awful New X-Files Movie
I wonder if next time Chris Carter could shoehorn a few more fashionable causes into his generic (and thrill-less) thriller script masquerading as an “X-Files” movie. The new one, “X Files: I Want My Money Back,” only touches on gay marriage, stem cells, and pedophile priests. And a bit of Russophobia, too, though nothing linked to Putin.
This is a film that will appeal to no one, as its dismal box office is proving. You don’t need a graduate degree in “X-Files” lore to get the plot, but if you didn’t watch a decade’s worth of the television show, you’ll spent your 104 minutes staring at the screen wondering why you should care about any of these talky, self-important characters — who seem to have very little character and a whole lot of back story. If, like me, you have seen most or all the of television show, you’ll wonder what makes this a sequel to the “X-Files” rather than, say, a poor knock-off of “Seven” circa 1996. There is not an ounce of suspense in the film, never once anything to quicken the pulse or raise a fear for any of the protagonists. Nor, unlike the classic TV series, is there ever any interest in whatever it is the villains are up to. None of the themes that made the series intelligent are present. (No, all the crosses and nuns and child-hating priests don’t count: the series usually handled agent Dana Scully’s Catholicism with a bit of sympathy and tact. What’s on offer in the theaters is a parody.)
A common complaint about the show was that it carried on too long, past the point of diminishing returns. I don’t really agree with that — the later seasons might not have been as good as, say, the second, but they were still better than almost anything else on the air (then or now), and the final episode, which effectively parodied the War on Terror while still remaining true to the series, was superb. To follow it up with this cinematic atrocity is a crime.
Is there nothing to be said for “X-Files: I Want To Believe”? Well, it has Billy Connolly in it, and I found myself wishing Agent Fox Mulder would ditch Dana Scully and investigate the spacemen and monsters with Amanda Peet’s Agent Dakota Whitney instead. Come of think of it, if Carter wanted to do something really daring and transgressive, he’d dump Mulder and Scully both and start a new series with Peet and Connolly. At least then even if the results were dire, it wouldn’t tarnish the memory of the “X-Files.”
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July 27th, 2008 at 10:23 am
I was really looking forward to this movie, so this outright sucks. Is there any redemptive value aside from what you’ve already said?
July 27th, 2008 at 1:23 pm
Hmm… well, the soundtrack is ok, if obtrusive in places. And if you want to see lots of snowy scenes (set in West Virginia, but actually British Columbia) while it’s sweltering outside the theater, “I Want to Believe” has that, too. But no — if anything the movie is even worse than what I’ve written above suggests. It has the least climactic climax of any film I’ve ever seen. I won’t spoil it — if that word even applies — but I will say that you’re left after climax #1 saying to yourself, “Is that it?” and then after the movie runs for another ten minutes you have to ask again, “is that it?” Chris Carter apparently regrets creating the “X-Files” rather than “E.R.,” and I guess he’s trying to make up for that by directing a film in which doctors are the real heroes.
July 27th, 2008 at 1:36 pm
There are a couple of funny one-liners from Mulder early in the film. That’s something, I suppose.
Two precedents for “X-Files: I Want to Believe” come to mind. In tone, it seems more like a script for Chris Carter’s other series, “Millennium,” although it doesn’t involve any apocalyptic cults. It also seems like a virtual rewrite of a classic non-paranormal “X-Files” episode, “Unruhe,” which also involved violence against women — only there it was handled well, and it was a very suspenseful episode, one of my favorites in fact. There’s zero suspense in the movie, and the violence against women is in poor taste to little dramatic effect.
July 28th, 2008 at 8:45 pm
From the commercials I got the feeling that Chris Carter needed the money and David Duchovny and Gillian Anderson had nothing better to do and possibly needed the cash too. Sounds like this won’t be going in my Netflix queue in six months. Thanks; you saved me two hours.
July 30th, 2008 at 7:57 am
It’s a shame as X-Files had some brilliant one off episodes, even if the overall mythology became byzantine. And Carter’s X-File spin-off “The Lone Gunmen” had a debut episode featuring a plot to remotely control a passenger jet and fly it into the WTC as part of a plot to foster a war. All this was well before 9/11. I suppose X-Files and family “jumped the shark” soon after the series left Vancouver.